Adepegba, Cornelius. “Visiting Scholar Comment: Divination Tray/opon Ifa.” Accession Number: X1986.397, Digital File, Stanley Museum of Art.

Aggarwal, Ayesha. “One Day it Will Come Out: An Interview with Soghra Khurasani.” Accessed on August 12, 2021.

Baum, Richard and Whitaker, Ewen. “Mare Orientale: the Eastern Sea in the West — Discovery and Nomenclature.” Journal of the British Astronomical Association, vol. 117, no. 3, pp. 129-135,

Beardsley, John, et. al. Gee’s Bend: The Women and their Quilts. Tinwood Books, 2002.

Bennett, Eric. Workshops of Empire: Stegner, Engle and American Creative Writing during the Cold War. University of Iowa Press, 2015. 

Brooks, Brad. “Native Americans Decry Unmarked Graves, Untold History of Boarding Schools,” Reuters, 22 June 2021, Accessed July 27, 2021.

Clark, T.J. Farewell to an Idea: Episodes from a History of Modernism. Yale University Press, 1999.

Clifford, James. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Harvard University Press, 1988.

“Collector’s Primitive.” Time, 5 December 1960, p. 72.

de Brito, Mark, editor. The Trickster’s Tongue: An Anthology of Poetry in Translation from Africa and the African Diaspora, Peepal Tree, 2006.

de Zegher, Catherine. The Precarious: The Art and Poetry of Cecilia Vicuña. Wesleyan University Press, 1997. 

dos Santos et al. “Bolsonaro’s Hostility has Driven Brazil’s Indigenous Peoples to the Brink,” Nature, 19 August 2020, Accessed August 13, 2021.

du Toit, Brian M. “The Mahatma Gandhi and South Africa.” The Journal of Modern African Studies, vol. 34, no. 4, Cambridge University Press, 1996, pp. 643–60,

Fukuyama, Francis. “The End of History?” The National Interest, no. 16, 1989, pp. 3–18.

Glissant, Édouard. “For Opacity.” Poetics of Relation. Translated by Betsy Wing, University of Michigan Press, 1997, pp. 189-194.

Groys, Boris. “The Politics of Equal Aesthetic Rights.” Spheres of Action: Art and Politics, edited by Éric Alliez and Peter Osborne, The MIT Press, 2013, pp. 141-150.

Hlebinsky, Ashley. “Art Guns: Aesthetics Over Function?” Buffalo Bill Center of the West. 20 March, 2014. Accessed on August 16, 2021.

Kinzer, Stephen. Overthrow: America’s Century of Regime Change from Hawaii to Iraq. Times Books, 2006.

Kluge, Alexander and Negt, Oskar. History and Obstinacy. Translated by Richard Langston et al. Zone Books, 2014.

Kornbluh, Peter. The Pinochet File: A Declassified Dossier on Atrocity and Accountability The New Press, 2003. 

Kruse, Michael. “The Escalator Ride that Changed America.” Politico, 14 June, 2019, Accessed on July 12, 2021. 

Lawal, Babatunde. Yoruba. Harry N. Abrams, 2012.

Les Demoiselles d’Avignon, MoMA Learning, Accessed September 7, 2021.

Lowe, Lisa. The Intimacies of Four Continents. Duke University Press, 2015.

Mary Ann Pettway (Gee’s Bend Quilter), Craft in America, Accessed August 23, 2021. 

Matter, Michael Leonard. “Recent Exhibitions: Forms and Functions of African Art.” African Arts, 1991, Vol.24 (3), p.86-88.

“May Day in Gee’s Bend.” Vimeo, Uploaded by Alabama Public Television, 2016, Accessed on August 26, 2021.

Michner, Judith. “Willis, Uncle Wallace and Aunt Minerva.” The Encyclopedia of Oklahoma History and Culture,, Accessed on August 23, 2021.

Nagree, Zeenat. “Soghra Khurasani.” Artforum, 2014. Accessed on August 2, 2021.

Nixon, Mignon. “Crazy.” October, Vol. 159, Winter, 2017.

Nixon, Richard. “Remarks in Kansas City, MO., Oct. 19, 1970,” The American Presidency Project. Accessed on August 22, 2021.

Isaacs, Jennifer.  Australian Aboriginal Paintings. Weldon, 1989.

Pandian, Anand. A Possible Anthropology: Methods for Uneasy Times. Duke University Press, 2019.

Peck, Amelia. “Quilt/Art Deconstructing the Gee’s Bend Quilt Phenomenon.” My Soul Has Grown Deep: Black Art from the American South, Cheryl Finley et. al. The Metropolitan Museum of Art, 2018, pp. 53-91. 

“Performance at Judson Church.” Lil Picard and Counterculture New York, Accessed on July 7, 2021.

Pitt, David and Izaguirre, Anthony. “Iowa Republicans Pass New Absentee Ballot Restrictions,” Associated Press, 20 May 2020, Accessed on August 11, 2021.

“Poland’s Independence March Turns Violent,” BBC News, 11 November 2014, Accessed on July 27, 2021.

“The Raymond J. Wielgus Collection.” Art Institute of Chicago, Accessed on August 3, 2021.

Roy, Christopher and Roberts, Allen. Forms and Functions of African Art. The University of Iowa Museum of Art, 1990.

Roy, Arundhati. The Doctor and the Saint. Haymarket Books, 2017.

Satō, Shōzō. The Art of Sumi-e: Appreciation, Techniques, and Application. Kodansha International, 1984.

Sanders, Sam. “Trump Champions The ‘Silent Majority,’ But What Does That Mean In 2016?” National Public Radio, 22 January 2016, Accessed on August 18, 2021.

Saunders, Frances Stonor. The Cultural Cold War: The CIA and the World of Arts and Letters. The New Press, 2013.

Seo, Audrey Yoshiko and Addis, Stephen. The Art of Twentieth-Century Zen: Painting and Calligraphy by Japanese Masters by Audrey Yoshiko Seo, with Stephen Addis. Shambhala, 2000.

Sharma, Sumesh. “Cratered Fiction: Bombay, 2015.” Accessed August 18. 2021.

Viagas, Robert. “Looking Back on Donald Trump’s Broadway Venture—And His Playbill Bio.” Playbill, 9 November, 2016, Accessed on August 20, 2021.

Vicuña, Cecilia. Spit Temple: The Selected Performances of Cecilia Vicuña, Edited by Rose Alcalá, Ugly Duckling Presse, 2012. 

Visona, Monica Blackmun, et al. A History of Art in Africa. Harry N. Abrams, 2001.

Winnicott, D.W. Playing and Reality. Routledge, 2005.