Women Behind Bars

Women Behind Bars

After Lisa Jane Persky made her stage debut at La MaMa, she performed her next role in Women Behind Bars at the Truck and Warehouse Theater, located across the street. The show was written by Tom Eyen, who had humble beginnings at Caffe Cino but later created the hit Broadway musical Dreamgirls. Women Behind Bars was a trashy satire of women’s prison movies with a cast that included Divine, who had also worked with the Cockettes in San Francisco. Divine was cast in the second production of Women Behind Bars, directed by Ron Link, who directed Jackie Curtis’s first play Glamour, Glory, and Gold, along with several other underground theater productions. One day in 1974, Lisa Jane Persky ran into Sweet William Edgar, a warmhearted actor who had a very nasal voice and brilliant comedic timing. “They’re casting for this new show, Women Behind Bars,” he told her. “You should audition!” She didn’t get a part at first, but she was hired as the understudy for all the roles and became Link’s assistant, which meant she did everything—from running lights and ironing costumes to bringing a rooster back to her apartment on weekdays. (The rooster played a chicken named Rosalita, a gender-bending casting decision that was typical of Off-Off-Broadway.) The original production was performed at Astor Place Theatre. Starring Pat Ast, Helen Hanft, Mary Woronov, and Sharon Barr, it was funny and entertaining, but it was also a starker version. Even the set was stripped down, with just a couple of benches and fake prison bars. “Ron could make something out of very little,” Barr recalled, who played a Marilyn Monroe type named Cheri Netherland. “Sharon Barr was fabulous,” recalled Woronov. “She was gigantic and gorgeous, and she walked around like she was on Mars. It was very funny.”

From Chapter 29 of The Downtown Pop Underground — order online, or from a local independent bookstore


Astor Place Theatre
434 Lafayette St, New York, NY 10003