The Velvet Underground continued playing for these Factory-produced events, renamed the Exploding Plastic Inevitable, a continuation of multimedia experiments that were taking place downtown. Elaine Summers had already staged her Fantastic Gardens mixed-media event in February 1964 at Judson Church, where film projections were splashed on the ceiling, walls, and floor, and the audience participated with small handheld mirrors. The results were stunning, and unprecedented. As the space was enveloped by a cacophony of lighting effects, music, movement, spoken word, and cinema, dance pioneer Sally Stackhouse performed on the balcony in front of a film of herself dancing. In his Village Voice column, Jonas Mekas argued that Fantastic Gardens was “by far the most successful and most ambitious attempt to use the many possible combinations of film and live action to create an aesthetic experience.” Two years later, Warhol did much the same when he projected performance footage of the Velvet Underground while they played in the Exploding Plastic Inevitable at the Dom.
From Chapter 11 of The Downtown Pop Underground — order online, or from a local independent bookstore
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