Jackie Curtis’s Lucky Wonderful

Jackie Curtis’s Lucky Wonderful

Jackie Curtis, who was always writing, quickly followed his theatrical debut with a musical, Lucky Wonderful. It was based on the life of Tommy Manville, a playboy socialite who had several strange, exotic wives. “Jackie decided to write a musical,” Melba LaRose said, “and he starred in it, and Paul Serrato wrote the music for it.” Serrato also composed music for Curtis’s biggest underground hit, 1971’s Vain Victory, and he later did a cabaret act with Holly Woodlawn. He first met Curtis when he worked at the Paperback Gallery, one of Greenwich Village’s literary hotspots. “Jackie would come in, as everybody did,” He first said. “Through one thing or another—we were all very young then—Jackie and I became friends. Jackie learned that I was a musician and composer, and he came in and told me, ‘I’m writing this script for this musical. You want to do the music for it?’ And so I said, ‘Of course.’ And that’s how we met, in a Greenwich Village bookstore.” Lucky Wonderful included a lovely bossa nova number, “My Angel,” along with the sultry “White Shoulders, Black and Blue” (the song was later revived in Vain Victory for Candy Darling to sing). The songs were fairly low-key, though the acting was wildly animated. “Jackie wrote things with tremendous energy,” Melba LaRose said, “and each show was only an hour and ten minutes straight through. It was high, high octane energy.”

From Chapter 17 of The Downtown Pop Underground — order online, or from a local independent bookstore


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