In April 1966, the Velvet Underground began their residency playing with Andy Warhol’s Exploding Plastic Inevitable at the Dom, where Factory newcomer Mary Woronov joined in. “Gerard Malanga felt we would be center stage and liven things up,” Woronov said. “So he brought me on with the black leather suit and a whip, and we worked out a dance with a sort of S&M kind of theme.” Their routines were supposed to be dark and theatrical, but they sometimes veered into goofier realms. “For ‘Waiting for the Man,’ I would lift weights,” Woronov said. “For ‘Heroin,’ Gerard would run around with a plastic needle that was two feet long and shoot up. It was sort of an act, to music.” Meanwhile, the Velvet Underground unleashed sheets of sound as Warhol slipped colored gelatin slides over film projector lenses or just stood on the balcony, observing the crowded scene. One night he saw “a small, muscular blond kid make a ballet leap that practically spanned the dance floor.” Warhol promptly went downstairs and met the young man, Eric Emerson, whose good looks and magnetic personality secured him a spot in several Warhol films. He was cast alongside Nico and Woronov in The Chelsea Girls and appeared in Lonesome Cowboys, San Diego Surf, and Heat.
From Chapter 15 of The Downtown Pop Underground — order online, or from a local independent bookstore